The following posts are section of a project that I completed in December of 2008 in which I designed and built a baritone guitar. The outcome was an excellent guitar that exceeded my aesthetic targets and met my utilitarian requirements. I viewed existing styles and tried to improve the complications that I found with the available industrial production instruments. I made sure that I reversed the grain pattern for each piece to try to create probably the most stable neck blank feasible. The fingerboard can be glued to the very best of the neck on the truss rod and the frets are pressed in to the fingerboard.
Honduran mahogany is the wood used for Gibson guitars necks and bodies, while hard maple may be the wood typically found in Fender necks. For the throat, I chose rock maple, which unlike swamp ash, includes a closed grain and will be sanded nearly as smooth as a polished rock or buffed steel. The notch cut down the length of the throat for the truss rod is centered on the middle piece of maple, so that the truss rod will not disrupt the various laminations.
most famous guitar players of the neck can be another critical area of the design procedure that impacts string tension, sustain and the feel of the instrument. The most popular woods for electric guitar building are rock maple (also known as hard or glucose maples), mahogany (a tropical exotic hardwood native to the West Indies, Central and SOUTH USA), alder, swamp/white ash (both native to North America), or rosewood and ebony (both exotic hardwoods getting hard to find). Historically guitars have utilized either a ‘C’ or a ‘U’ shape, but Fender pioneered the ‘V’ neck shape which optimizes the participant’s capability to wrap his / her thumb round the throat of the instrument. The ‘V’ provides been popular particularly with blues and nation musicians. Body woods tend to be slightly much less dense and softer to permit for a lighter device. I'd optimize the scale size and string gauges to provide for a company but comfortable quantity of string tension. I thought we would make the fingerboard from macassar ebony that is a figured ebony with visible grain varying from dark to browns and tans. I do not really consent to my tips being used for commercial purposes, but I'd be happy to talk to or help anyone who is thinking about building a musical instrument for themselves. Acoustic instruments, however, use resonating tops made of coniferous species like spruce and cedar. I ripped three bits of really difficult maple to ¾ by 1 and 2 bits of purpleheart to ¾” by ¼” and then glued all five of the items jointly as shown in Shape 10. I opted to make use of swamp ash for your body because it would cut down on the pounds of the device and would still give a tone in between the warmth of mahogany and the lighting of maple. The original method of the headstock configuration may be the angled back again headstock found in all string instruments from lutes, violins and viols, as well as guitars. I am reviewing my choices for Patents and the look of the instrument is highly recommended guarded by the Patent Pending position. It creates playing open chords less complicated and more comfortable and is particularly ideal for instruments with a longer level like basses and baritones. Body 10 5-piece throat blank lamination technique with 3 1″ bits of rock maple and 2 ¼” bits of purpleheart. Please note that the design of the guitar, the form of your body, the throat and the headstock are all trademarks of Indecent Music. Each of these woods has its tonal characteristics and also grain type, grain shape, hardness and rigidity. This position escalates the pressure of the strings on the string nuts and eliminates the use of a string tree to hold the string down onto the headstock as required by the Fender instruments. Swamp ash, which is extremely popular with Fender bodies, is normally a softer, lighter variety compared to Northern hard ash which is harder and heavier. The original paper from the task is 40 pages long, therefore i am breaking the work up into installments. Thanks so much for your curiosity!
I also used purpleheart in the lamination of the throat blank mostly due to the striking color, but also to tone down the lighting of the maple.
Based on my experiences with the production models that I tried, We resolved to design an instrument that didn't fall prey to the pitfalls mentioned above. Ash has a natural rustic feel to it, even though sanded with 200 grit paper in fact it is an open-grained wood, which means the grain offers deep pores that must definitely be filled to be able to get yourself a smooth surface finish. The lamination technique that I used is very like the style demonstrated on the Ibanez bass above.Learning from bass designs, I would change the strings towards the tail of the instrument by moving the bridge away from the neck and nearer to the tail. Electric powered guitars are nearly always made of hardwoods from a small number of deciduous species from around the world. The neck is the part of the instrument that'll be touched probably the most, and the experience of this critical part affects the participant’s impression of the device as a whole. The neck back contour is the form of the neck as cut laterally through the throat.